Carpenters Workshop Gallery, Paris
Vincenzo De Cotiis :
‘Éternel was born from emotions that I’ve felt there, and my memories of lanterns
and minimal forms of architecture that I’ve sought to transcribe in contemporary works.
I wanted to convey the iridescent landscape of Japanese cherry blossoms, how the color
isn’t uniform but moves from pink to blue and green. Reflections are another important
element as I saw many reflections, not just in the landscape, but in the cities where
one has constant reflections from technology. And I tried to represent Japanese
ceramics by manually coloring recycled fiberglass with those nuances,
and depicting it like a Japanese painting. ‘
This is a collection that combines gravitas and beauty, through the language
of cataclysm and the patina of decay. Éternel featured sculptural pieces that
seek to forget functionality and submit to influences of a
distant memory of the East.
Вінченцо де Котіс :
« Моя філософія завжди полягала в тому, щоб йти врозріз
з функціональністю, яка дуже важлива в італійському
промисловому дизайні »
Вінченцо де Котіс :
« Я завжди слідував своїм власним шляхом,
йдучи до мистецтва більше, ніж до дизайну, створюючи
унікальні твори за допомогою ремісничих процесів »
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